Sam's Shorts

If you’ve ever wanted to dive deeper into Twain's works but haven't known where to start, Sam’s Shorts is your opportunity!

Each month, we’re bringing you a brief passage from one of his less-familiar works, including his speeches, essays, short stories, and letters, and inviting you to read, reflect, and respond. Then we’ll share what we learned from your responses, answer some of your questions, and tell you a bit more about the background and context of the piece. Your responses help us develop new programs for adults and teach Twain’s writing to students. They’ll also help us pick new shorts for you to read and enjoy!

You can also read previous Sam’s Shorts selections with reader feedback and additional context, and learn more with our companion podcast.

Excerpt from The Tragedy of Pudd'nhead Wilson, published 1894

Wilson stepped to the window to observe the combatants; he could not work while their chatter continued. Over in the vacant lots was Jasper, young, coal-black and of magnificent build, sitting on a wheelbarrow in the pelting sun—at work, supposably, whereas he was in fact only preparing for it by taking an hour’s rest before beginning. In front of Wilson’s porch stood Roxy, with a local hand-made baby-wagon, in which sat her two charges—one at each end and facing each other. From Roxy’s manner of speech, a stranger would have expected her to be black, but she was not. Only one-sixteenth of her was black, and that sixteenth did not show. She was of majestic form and stature, her attitudes were imposing and statuesque, and her gestures and movements distinguished by a noble and stately grace. Her complexion was very fair, with the rosy glow of vigorous health in the cheeks, her face was full of character and expression, her eyes were brown and liquid, and she had a heavy suit of fine soft hair which was also brown, but the fact was not apparent because her head was bound about with a checkered handkerchief and the hair was concealed under it. Her face was shapely, intelligent and comely—perhaps even beautiful. She had an easy, independent carriage—when she was among her own caste—and a high and “sassy” way, withal; but of course she was meek and humble enough where white people were.

To all intents and purposes Roxy was as white as anybody, but the one-sixteenth of her which was black out-voted the other fifteen parts and made her a negro. She was a slave, and salable as such. Her child was thirty-one parts white, and he, too, was a slave, and by a fiction of law and custom a negro. He had blue eyes and flaxen curls like his white comrade, but even the father of the white child was able to tell the children apart—little as he had commerce with them—by their clothes: for the white babe wore ruffled soft muslin and a coral necklace, while the other kid wore merely a coarse tow-linen shirt which barely reached to its knees, and no jewelry.

The white child’s name was Thomas à Becket Driscoll, the other’s name was Valet de Chambre: no surname—slaves hadn’t the privilege. Roxana had heard that phrase somewhere, the fine sound of it had pleased her ear, and as she had supposed it was a name, she loaded it on to her darling. It soon got shortened to “Chambers,” of course.

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Read the full passage in the new critical edition of Pudd’nhead available in the museum store.


Sam’s Shorts is sponsored by Talcott Financial Group